Peter Ydeen is a photographer and artist currently living in Easton, Pennsylvania, working in New York City, and often traveling abroad. He works within the now-established tenet of Urban Landscape Photography, which celebrates the complexity and beauty of the mundane world. Although his work uses New Topographics as an impetus, his photographs move away from that stoic aesthetic with the ethereal layering typical of a romantic. He finds inspiration in the poetics of George Tice, the playful lyricism of Paul Klee, the readymades of Marcel Duchamp, and the eccentric energy of Charles Burchfield, all of these seemingly setting themselves within the romantic setting of an E.T.A. Hoffmann tale.

The thrust of Ydeen’s work has been the night series Easton Nights; however, he has also created several other series, including Waiting for Palms, shot in Egypt and Morocco; Commuter Motions, a motion study of his commute from Easton to New York City; Black White and Gray, a more traditional monochrome series also shot along the Interstate 78 corridor from Easton to New York; Valley Days and its subset Valley Days Rondels, a series of daylight shots in the Lehigh Valley; and finally, the ongoing series Away, which studies urban landscapes Ydeen encounters on his travels. A new series, myUTAH, with photographs taken around the Colorado Plateau, is currently being developed and presented.  All of these works have found their way into many books and publications, as well as into numerous creative exhibitions.

Ydeen received his BA in painting and sculpture at Virginia Tech under Ray Kass, and his MFA in painting and sculpture at Brooklyn College (Fellowship) under Robert Henry, Phillip Pearlstein, and Alan D’Arcangelo, followed by a scholarship to the Skowhegan School of Painting and a fellowship to the Sculpture Center in NYC. Following his education, he made his way as a technician in a number of fields, including technical illustration, industrial set construction, display, architectural drafting, and model making. He was the Director of Joseph Zelvin Models, where he built finished models for many architects, including Philip Johnson, Michael Graves, and Robert Stern, and for several years ran the model shop for the visionary architect Emilio Ambasz, with many of his models being published and exhibited. This period of exacting craftsmanship later became an important foundation for his immersive three-dimensional photography installations and hand-built framing techniques applied to his many exhibits.

ambasz seefactor

Left: Inventions by Emilio Ambasz – includes over 50 photographs of study models by Ydeen,
including the model shown on the cover.

Right: – an extensive catalog of hand drawn ink technical drawings
for industrial set builder See Factor Industries.

After meeting his wife, the art dealer Mei Li Dong, and with the help of African art dealer and scholar Marc Leo Felix, together they opened the gallery Arts du Monde Inc. in New York City, selling African, Chinese, and Tibetan art and presenting a number of important exhibitions. This experience furthered his knowledge of display as well as enabling him to handle a vast cross-section of art daily, providing a humbling lesson in the aesthetics and history of those traditions.

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Links to my work

peterydeen at Instagram – follow me here if you are interested in seeing current work and exhibit information

Lensculture Projects:  Easton – Small Hours ,  Valley Days, Black White and Gray, Commuter’s Motions, Waiting for Palms

Arts du Monde Gallery – Spring Street NYC